The Search for the Picturesque: Landscape Aesthetics and tourism in Britain, 1760-1800
Stanford: Stanford University Press, 1989. Hardcover. xvi, 166pp+ index. Very good hardback in a jacket that is a bit sunned on the spine. More
Art Theory and Criticism
The Use and Abuse of Art
Princeton: Princeton University Press, 1974. Hardcover. 150pp. Very good hardback in a rubbed and edgeworn jacket that has a closed tear on the front panel at the spine and a small chip to the top of the rear. Bookplate on front free endpaper, else internally fine. More
Nothing in Itself: Complexions of Fashion
Bloomington: Indiana University Press, 1999. Paperback. 289pp+ index. Internally fine with clean text that has no underlining, highlighting or notes. More
Samuel F.B. Morse's Gallery of the Louvre and the Art of Invention
New Haven: Yale University Press, 2014. Hardcover. 223pp+ index. Very good hardback in a very good dustjacket. More
New Hampshire Scenery: A Dictionary of Nineteenth Century Artists of New Hampshire Mountain Landscapes
Canaan: New Hampshire Historical Society, 1985. Hardcover. xvi, 251pp. Page edges foxed, else a very good hardback bound in publisher's gray boards with inset on front. More
Le regard Pensif: Lieux Et Objets de la Photographie
Paris: Editions De La Difference, 1988. Paperback. Lightly rubbed overall, else very good in publisher's French fold wraps. Photographer Ralph Gibson's copy with his ex libris stamp on the front free endpaper and inscribed by Durand to him on the half title page. More
Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100-450
NY: Oxford University Press, 1998. Hardcover. xvi, 289pp+ index. Very good hardback in a very good dustjacket. More
The Collaboration of Niccolo Tegliacci and Luca Di Tomme
LA: J. Paul Getty Museum, 1973. Paperback. 32pp+ plates. Very good in publisher's wraps. More
Bad News Days: Art, Criticism, Emergency
NY: Verso, 2017. Paperback. 184pp+ index. Very good in publisher's wraps. More
Hans Richter: Activism, Modernism, and the Avant-Garde
Cambridge: MIT Press, 1998. Hardcover. xii, 218pp+ index. Very good hardback in a slightly tanned jacket. More
The Early Landscapes of Frederic Edwin Church, 1845-1854
Fort Worth: Anon Carter Museum, 1987. Hardcover. xi, 155pp+ index. Very good hardback in a jacket that is sunned on the spine and has a small closed tear to the top of the front panel. More
Giovanni Bellini
NY: Ursus Press, 1995. Hardcover. xiii, 66pp+ plates. Very good hardback in a very good dustjacket. More
Disappearing Witness: Change in Twentieth-Century American Photography
Baltimore: Johns Hopkins University Press, 2003. Hardcover. xix, 293pp+ index. Previous owner's blindstamp on front free endpaper, else a very good hardback in a very good dustjacket. More
Tracks: A Journal of Artists' Writings Volume 2, Number 1: Winter 1976
NY: Herbert George, 1976. Paperback. 75pp. Tanned overall and lightly rubbed, else very good in publisher's wraps. Allen, Gwen. Artists' Magazines: An Alternative Space For Art, page 305. More
Printmaking in Britain : A General History from Its Beginnings to the Present Day
Oxford: Phaidon, 1978. Hardcover. First Edition. 241pp+ index. Very good hardback in a very good dustjacket. More
Meditations on a Hobby Horse: And Other Essays on the Theory of Art
Chicago: University of Chicago Press, 1985. Paperback. 176pp+ index and plates. Internally fine with clean text that has no underlining, highlighting or notes. More
The Rudiments of Lithography
London: Faber and Faber, 1956. Hardcover. 92pp+ index. Prelims foxed, else a Very good hardback in a tanned ajcket that has a few closed tears and a spot of loss at the head of the spine. More
Vermeer: Reception and Interpretation
Cambridge: Cambridge University Press, 1991. Hardcover. xii, 279pp+ index. Very good hardback in a very good dustjacket. More
The Beautiful, The Sublime, and the Picturesque in Eighteenth Century British Aesthetic Theory
Carbondale: Southern Illinois University Press, 1957. Hardcover. vi, 384pp+ index. Very good hardback in a slightly darkened, lightly edgeworn, price clipped jacket. More
The Italian Presence In American Art 1760-1860
NY: Fordham University Press, 1989. Hardcover. xvi, 249pp.Very good hardback in a very good dustjacket. More
The Romanesque Frieze and its Spectator: The Lincoln Symposium Papers
London: Harvey Miller, 1992. Hardcover. 225pp+ index. Very good hardback in a very good dustjacket. More
Landscape and Genre Painting in Tennessee, 1810-1895
Nashville: Tennessee Historical Quarterly, 1985. Paperback. 152pp. Very good in publisher's wraps. More
Destination Culture: Tourism, Museums, and Heritage
Berkeley: Univesity of California Press, 1998. Paperback. 314pp+ index. Very good in publisher's wraps. More
Becoming Leonardo: An Exploded View of the Life of Leonardo da Vinci
Brooklyn: Melville House, 2017. Hardcover. First Edition. xii, 279pp+ index. Very good hardback in a very good dustjacket. More
Ten Years and Beyond: The Collection of the Fondazione per l'Arte Moderna Contemporanea-CRT for Turin and piedmont
Berlin: Archive Books, 2010. Hardcover. 496pp. Pages slightly tanned, else a very good hardback in a very good dustjacket. More