The Signs Pile Up: Paintings by Pedro Álvarez
Santa Monica: Smart Art Press, 2008. Hardcover. 143pp. Corners lightly bumped, else a very good hardback in a slightly tanned jacket. More
Santa Monica: Smart Art Press, 2008. Hardcover. 143pp. Corners lightly bumped, else a very good hardback in a slightly tanned jacket. More
[Andover]: Addison Gallery of American Art, 1973. Paperback. Unpaginated pamphlet published in conjunction with two Andre exhibitions at the Addison Gallery of American Art. Thin 8vo, offset photographic plates; no text, but with a separate colophon sheet laid in. Wraps a bit tanned as usual, small bit of wear to..... More
Grass Valley: Underwood Books, 2001. Paperback. 160pp. Very good in publisher's wraps. More
NY: Abrams, 1993. Hardcover. 40 plates with accompanied facing text. Very good hardback in a jacket that has a small closed tear to the top of the front fold. More
NY: Clarkson Potter, 1984. Hardcover. 156pp. Very good hardback in a very good dustjacket. More
NY: Rinehart, 1950. Hardcover. First Edition. 132pp. Very good hardback in a price clipped, darkened, rubbed and lightly chipped jacket that has a faint dampstain to the top of the rear panel. More
NY: Rinehart, 1950. Hardcover. First Edition. 132pp. Very good hardback in a corner clipped, but price intact jacket tat is slightly darkened and rubbed with some minor loss and a closed tear to the bottom of the rear joint. More
NY: Rinehart, 1950. Hardcover. First Edition. 132pp. Ink gift inscription on front free endpaper, else a very good hardback in a heavily foxed jacket that has some minor chipping and a spot of loss at the front joint. More
NY: Rinehart, 1950. Hardcover. First Edition. 132pp. Very good hardback in a price clipped, darkened, rubbed and chipped jacket. More
NY: Bulfinch Press, 2007. Hardcover. Second Printing. 143pp. Very good hardback in a very good dustjacket. More
Carmel Valley: Carmel Valley Art Galllery, 1954. Hardcover. Darkened overall with some spotting to the front, else very good in publisher's tan cloth boards. Inscribed and signed by Warshawsky on the half title page. More
NY: Abrams, 1975. Hardcover. 215pp. Remainder mark to bottom edge of textblock, else a very good hardback in a slightly tanned jacket. More
Washington D.C. National Gallery of Art, 2003. Paperback. xi, 316pp+ index. Very good in publisher's French fold wraps. More
Cody: Ptarmigan Publishing, 2003. Hardcover. One of an unspecified limited edition with original watercolor on front free endpaper. Very good in publisher's turquoise boards and matching slipcase. Inscribed and signed by the artist under image. More
Athens: Georgia Museum of Art, University of Georgia, 2002. Paperback. 155pp. Very good in publisher's wraps. More
Dallas/ San Diego: Meadows Museum , Southern Methodist University/ San Diego Museum of Art, 2013. Hardcover. 334pp+ index. Very good hardback in a jacket that is sunned along the bottom edge of the rear panel and the foot of the spine. More
NY: Vendome Press, 1997. Hardcover. First Edition. 134pp. Very good hardback in a very good dustjacket. More
NY: Watson Guptill, 1979. Hardcover. 86pp+ index. Very good hardback in a lightly rubbed and edgeworn jacket. More
Rutherford: Fairleigh Dickinson University Press, 1989. Hardcover. 222pp+ indices. Very good hardback in a very good dustjacket. More
Geneva: Slatkine Publishers, 2004. Hardcover. 175pp. Very good hardback in a very good dustjacket. Includes DVD. More
Witchita: Edwin A. Ulrich Museum of Art, 1986. Hardcover. 126pp. Very good hardback in a slightly tanned jacket that has a closed tear to the top of the front joint. More
NY: Rizzoli, 1998. Hardcover. 237pp. Very good hardback in a jacket that has a closed tear to the bottom of the rear joint. More
NY: Rizzoli, 1989. Hardcover. 181pp. Very good hardback in a lightly edgeworn jacket. More
NY: Praeger, 1971. Hardcover. 156pp+ index. Some foxing to prelims and page edges, else a very good hardback in a lightly rubbed jacket. More