Past and Present: A Selection of German Films 1896-1957
NY: Museum of Modern Art, 1958. Paperback. 15pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc p. More about Past and Present: A Selection of German Films 1896-1957
Cinema
Psychomontage
NY: Grove Press, [1963]. Original five inch reel of 8mm film in plain cardboard box with paper label affixed to the front. Some light overall soiling, couple of small tears, top flap creased, else very good with the film in presumably fine condition. An uncommon artifact from Grove Press' brief... More about Psychomontage
Lovemaking
NY: Grove Press, [1968]. Original 3.5 inch reel of 8mm film in plain cardboard box with paper label affixed to the front. Some light overall soiling, couple of small tears, top flap creased, else very good with the film in presumably fine condition. An uncommon artifact from Grove Press' brief... More about Lovemaking
The Art of the Motion Picture 1895-1941
NY: Museum of Modern Art, ND. Paperback. 19pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc a. More about The Art of the Motion Picture 1895-1941
Little Vera
London: I. B. Tauris, 2003. Paperback. 114pp. Internally fine with clean text that has no underlining, highlighting or notes. More about Little Vera
The Mark Hellinger Story: A Biography of Broadway and Hollywood
NY: Applton Century Crofts, 1952. Hardcover. xv, 367pp. Very good hardback in a lightly rubbed jacket that has a a closed tear to the front joint. More about The Mark Hellinger Story: A Biography of Broadway and Hollywood
Cinema of Orson Welles
NY: Museum of Modern Art, 1961. Paperback. 16pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc c. More about Cinema of Orson Welles
The Student Revolution: A Global Confrontation
NY: Norton, 1970. Hardcover. 90pp+ index. Very good hardback in a tanned jacket. Offsetting to endpapers, otherwise internally fine. More about The Student Revolution: A Global Confrontation
The Films of John Cassavetes: Pragmatism, Modernism, and the Movies
Cambridge: Cambridge University Press, 1994. Paperback. x, 316pp. Spine sunned, else very good and Internally fine with clean text that has no underlining, highlighting or notes. More about The Films of John Cassavetes: Pragmatism, Modernism, and the Movies
The Golden Age of Movie Musicals and Me
Norman: University of Oklahoma, 1994. Hardcover. x, 254pp+ index. Very good hardback in a very good dustjacket. More about The Golden Age of Movie Musicals and Me
The Art of Anastasia
NY: Harper Collins, 1997. Hardcover. 192pp. Very good hardback in a jacket that has a few small closed tears. More about The Art of Anastasia
Hollywood Quarterly Volume V, Number 3: Spring, 1951
Berkeley: University of California Press, 1947. Paperback. 213-319pp. Wraps tanned, else very good. More about Hollywood Quarterly Volume V, Number 3: Spring, 1951
Surrealism and the Cinema
South Brunswick: A.S. Barnes, 1976. Hardcover. 166pp+ index. Very good hardback in a lightly rubbed jacket. More about Surrealism and the Cinema
50 Years of Italian Cinema
NY: Museum of Modern Art, 1955. Paperback. 15pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc f. More about 50 Years of Italian Cinema
The Cinema of Gene Kelly
NY: Museum of Modern Art, 1962. Paperback. 16pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc c. More about The Cinema of Gene Kelly
The Film That Was Lost
NY: Museum of Modern Art, 1942. Paperback. [8]pp. Rubbed and foxed overall, small split to bottom, else very good in publisher's stapled wraps. exc f. More about The Film That Was Lost
Cinematic Design
Boston: American Photographic Publishing Company, 1931. Hardcover. 193pp. Faint tidemark to the edge of the first few pages, else a very good hardback in a lightly rubbed jacket that has a dampstain to the inside of the front panel. More about Cinematic Design
Popular Film Culture in Fascist Italy: The Passing of the Rex
Bloomington: Indiana University Press, 1987. Paperback. 274pp+ index. Rear wrap creased, other wise very good.Small ink name on front free endpaper, otherwise Internally fine with clean text that has no underlining, highlighting or notes. More about Popular Film Culture in Fascist Italy: The Passing of the Rex
New Soviet Man: Gender and Masculinity in Stalinst Soviet Cinema
Manchester: Manchester University Press, 2003. Paperback. 199pp+ index. Internally fine with clean text that has no underlining, highlighting or notes. More about New Soviet Man: Gender and Masculinity in Stalinst Soviet Cinema
Hollywood Quarterly Volume III, Number 2: Winter, 1947-1948
Berkeley: University of California Press, 1947. Paperback. iv, 111-216pp. Wraps tanned, else very good. More about Hollywood Quarterly Volume III, Number 2: Winter, 1947-1948
Foyer Pleasure: The Golden age of Cinema Lobby Cards
NY: Delilah, 1982. Paperback. 159pp. Prelims a bit foxed, wraps lightly edgeworn, else very good. More about Foyer Pleasure: The Golden age of Cinema Lobby Cards
![Film Culture Volume IV, Number 3 [Issue 18] April, 1958. Jonas Mekas](/pictures/thumb/36612.jpg?v=1553713450)
Film Culture Volume IV, Number 3 [Issue 18] April, 1958
NY: Film Culture, 1958. Paperback. 31pp. Lightly rubbed overall, pages darkened, else very good in publisher's stapled wraps. More about Film Culture Volume IV, Number 3 [Issue 18] April, 1958
The End of St. Petersburg
London: I. B. Tauris, 2003. Paperback. 122pp. Internally fine with clean text that has no underlining, highlighting or notes. More about The End of St. Petersburg
Kino: A History of the Russian and Soviet Film
Princeton: Princeton University Press, 1983. Paperback. 490pp+ index. Wraps a bit rubbed and darkened, else very good and Internally fine with clean text that has no underlining, highlighting or notes. More about Kino: A History of the Russian and Soviet Film
The Suppression of Salt of the Earth: How Hollywood, Big Labor, and Politicians Blacklisted a Movie in the American Cold War
Albuquerque: University of New Mexico Press, 1999. Paperback. 271pp+ index. Internally fine with clean text that has no underlining, highlighting or notes. More about The Suppression of Salt of the Earth: How Hollywood, Big Labor, and Politicians Blacklisted a...