Past and Present: A Selection of German Films 1896-1957
NY: Museum of Modern Art, 1958. Paperback. 15pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc p. More
Cinema
Dirty Movies: An Illustrated History of the Stag Film 1915-1970
NY: Chelsea House, 1976. Hardcover. 160pp. Spine sunned, else a very good hardback bound in publisher's illustrated boards and issued without a jacket. More
The 1942 Film Daily Year Book of Motion Pictures
NY: The Film Daily, 1942. Hardcover. 1016pp. Spine concave, darkened overall, ink name on front free endpaper, else very good in publisher's silver and copper textured boards. More
The Films of Nicholas Ray: The Poet of Nightfall
London: British Film Institute, 2004. Paperback. 187pp+ index. Very good in publisher's wraps. More
Psychomontage
NY: Grove Press, [1963]. Original five inch reel of 8mm film in plain cardboard box with paper label affixed to the front. Some light overall soiling, couple of small tears, top flap creased, else very good with the film in presumably fine condition. An uncommon artifact from Grove Press' brief..... More
Lovemaking
NY: Grove Press, [1968]. Original 3.5 inch reel of 8mm film in plain cardboard box with paper label affixed to the front. Some light overall soiling, couple of small tears, top flap creased, else very good with the film in presumably fine condition. An uncommon artifact from Grove Press' brief..... More
The Art of the Motion Picture 1895-1941
NY: Museum of Modern Art, ND. Paperback. 19pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc a. More
Circulating Film Programs
NY: Museum of Modern Art, 1950. Paperback. Third Printing. 20pp. Tanned and lightly rubbed overall, else very good in publisher's stapled wraps. exc c. More
Circulating Film Programs
NY: Museum of Modern Art, 1948. Paperback. 34pp. Tanned and lightly rubbed overall, else very good in publisher's stapled wraps. exc c. More
Little Vera
London: I. B. Tauris, 2003. Paperback. 114pp. Internally fine with clean text that has no underlining, highlighting or notes. More
Allan Dwan: The Last Pioneer
NY: Praeger, 1971. Hardcover. 200pp. Light foxing to prelims, else a very good hardback in an edgeworn jacket that has a dampstain to the top of the front panel and a closed tear at the bottom. More
The Films of Carl Dreyer
NY: Museum of Modern Art, 1964. Paperback. 7pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc d. More
The Student Revolution: A Global Confrontation
NY: Norton, 1970. Hardcover. 90pp+ index. Very good hardback in a tanned jacket. Offsetting to endpapers, otherwise internally fine. More
The Films of John Cassavetes: Pragmatism, Modernism, and the Movies
Cambridge: Cambridge University Press, 1994. Paperback. x, 316pp. Spine sunned, else very good and Internally fine with clean text that has no underlining, highlighting or notes. More
![Engaged Cinema in the United States [Drop Title]. Cinema Engage](/pictures/thumb/41801.jpg?v=1588186870)
Engaged Cinema in the United States [Drop Title]
NY: Cinema Engage, nd. Paperback. Single 14 by 11 inch sheet green stock printed in black on both sides. Some foxing overall, wear at folds with a couple of tiny spots of loss and a few small closed tears. "The ultimately redeeming function of cinematic art in the society of..... More
Masked Men: Masculinity and the Movies in the Fifties
Bloomington: Indiana University Press, 1997. Paperback. 335pp+ index. Internally fine with clean text that has no underlining, highlighting or notes. More
Movie Lot to Beachhead: The Motion Picture Goes to War and Prepares For the Future
NY: Doubleday, Doran, and Company, 1945. Hardcover. Fiorst Edition. Ink name and address on half title, pages tanned, else a very good hardback in a darkened, edgeworn, and lightly chipped jacket. More
Open Secret: Gay Hollywood 1928-1998
NY: William Morrow, 1998. Hardcover. Third printing. 356pp+ index. Very good hardback in a very good dustjacket. More
The Samuel Goldwyn Motion Picture Production of Porgy and Bess
NY: Random House, 1959. Hardcover. Pages tanned, laminate lifting in a few spots, else a very good in publisher's illustrated boards. Inscribed and signed by the co-author of the play Porgy Dorothy Heyward at the bottom of the front free endpaper thus: With Love/ Dorothy Heyward. More
Surrealism and the Cinema
South Brunswick: A.S. Barnes, 1976. Hardcover. 166pp+ index. Very good hardback in a lightly rubbed jacket. More
50 Years of Italian Cinema
NY: Museum of Modern Art, 1955. Paperback. 15pp. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc f. More
60 Years of French Film
NY: Museum of Modern Art, 1957. Paperback. Rubbed and foxed overall, else very good in publisher's stapled wraps. exc s. More
The Film That Was Lost
NY: Museum of Modern Art, 1942. Paperback. [8]pp. Rubbed and foxed overall, small split to bottom, else very good in publisher's stapled wraps. exc f. More
Cinematic Design
Boston: American Photographic Publishing Company, 1931. Hardcover. 193pp. Faint tidemark to the edge of the first few pages, else a very good hardback in a lightly rubbed jacket that has a dampstain to the inside of the front panel. More
Popular Film Culture in Fascist Italy: The Passing of the Rex
Bloomington: Indiana University Press, 1987. Paperback. 274pp+ index. Rear wrap creased, other wise very good.Small ink name on front free endpaper, otherwise Internally fine with clean text that has no underlining, highlighting or notes. More