The Hundred Fathom Curve [Uncorrected Proof]
Brownsville: Story Line Press, 1997. Paperback. Uncorrected Proof. Very good in publisher's wraps. More
Brownsville: Story Line Press, 1997. Paperback. Uncorrected Proof. Very good in publisher's wraps. More
Bristol: Quill Books, 2002. Paperback. First printing. Very good in publisher's wraps. More
Charlotte: Heritage House, 1957. Hardcover. First edition. 55pp.Very good hardback in cloth backed marbled boards with label affixed to the front. Signed by Bartlett on the front free endpaper. More
NY: The Limited Editions Club, 1971. Hardcover. #562 of 150cc signed by the artist Pierre-Yves Tremos. Two volumes in publisher's red cloth and slipcase with glassine jackets still prtesent. Some light scuffing to case and darkening to the label, else a very good set. More
Nacogdoches: Stephen F. Austin State University Press, 2014. Paperback. First Edition. Very good in publisher's wraps. Inscribed by Bauer to poet Thomas Lux on the half title page and additionally signed on the title page. More
Middletwon: Wesleyan University Press, 1988. Hardcover. First Edition. 62pp. Very good hardback in a very good dustjacket. More
NY: Henry Holt, 1947. Hardcover. 53pp. Very good hardback in a darkened and lightly edgeworn jacket. More
Seattle: Wave Books, 2013. Paperback. First printing. Very good in publisher's wraps. More
NY: Atheneum, 1984. Paperback. 52pp. Very good in publisher's wraps. More
NY: Farrar and Rinehart, 1936. Hardcover. First Edition. Very good hardback in a tanned and rubbed jacket that has some minor loss at the extremities and some small internal tape repairs and the fold ends. Inscribed and signed by Benet at the top of the front free endpaper. More
Wirral: Headland, 2002. Paperback. First Printing. Very good in publisher's wraps. More
Cambridge: Cambridge University Press, 1996. Hardcover. viii, 534pp+ index. Very good hardback in a very good dustjacket. More
Wainscott: Pushcart Press, 1990. Hardcover. 101pp. Very good hardback in a slightly tanned jacket. More
Chicago: University of Chicago Press, 2013. Hardcover. First Edition. Very good hardback in a very good dustjacket. More
NY: Farrar, Straus, and Giroux, 1965. Hardcover. Third Printing. Foxing to edges of textblock, else a very good hardback in a rubbed and heavily tanned jacket that has some edgewear and minor loss at the extremities. More
NY: W.W. Norton, 1974. Hardcover. First American Edition. Very good hardback in a slightly tanned jacket. More
NY: Knopf, 2001. Hardcover. First Edition. Very good hardback in a very good dustjacket. More
NY: Henry Holt, 1997. Hardcover. First Edition. Very good hardback in a very good dustjacket. More
London: Scholartis Press, 1927. Hardcover. 86pp. Publisher's cloth backed paper boards. Prelims foxed, ink gift inscription on front free endpaper, rubbed overall and worn at corners, else an about very good example. More
London: Scholartis Press, 1927. Hardcover. #34 of 75cc printed on English hand made paper and signed by Jack Lindsay. 86pp. Pages slightly tanned, spine sunned, esle very good in Publisher's coarse cloth backed in blue. More
London/ NY: Falcon Press/ United Book Guild, 1947. Hardcover. Publisher's heavy stock cloth backed boards in a darkened and rubbed jacket that has some minor loss at the extremities. Albion facsimile number one. More
NY: Library of America, 2006. Hardcover. lvii, 660pp+ indices. Very good hardback in a lightly worn card slipcase. More
NY: Viking Press, 1987. Hardcover. First Edition. Very good hardback in a slightly tanned jacket. Inscribed and signed by Blumenthal in the year of publication on the front free endpaper. More
NY: Harper Collins, 1999. Hardcover. First Edition. Very good hardback in a very good dustjacket. More
NY: Harper Collins, 1992. Hardcover. First Edition. Remainder mark to bottom edge of textblock, else a very good hardback in a very good dustjacket. More